It should almost Live laugh leave me alone shirt go without saying that social media is baked in. Naturally, pictures of tablescaped dinner parties complete with moulded butter are catnip on Instagram. Plus, part of the popularity can be traced to the moment we are seeing for all things “coquette”, the embrace of things squarely “girly”, from bows to ballet flats. Butter moulding is not new. In 2018, Laila Gohar, whose food artistry is hard to fully capture in words, made a sculpture of a reaching hand in butter. Other designs have included segments of faces with piercing, if creamy eyes. “The first butter sculpture I made was in 2018,” Gohar told Vogue in January. “At the time I hadn’t seen contemporary butter sculptures around. I was doing research and reading about the first butter sculptures that were made of yak butter in ancient China. The idea started from there.” Now no fashionable table, crafted with social media front of mind, will be properly laid without one this Easter weekend.
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The secondhand Live laugh leave me alone shirt clothes movement is here to stay. The stigma is, by and large, gone. Where it once came with some degree of shame attached, culture has, thankfully, shifted and confiding that your outfit is preloved is now more of a not-so-humble brag than something to whisper. It can’t hurt that the new editor of Vogue is no stranger to a secondhand stall, and treated vintage clothes with as much respect as new luxury styles in her debut issue. But while it may be of the zeitgeist, there is no going back. Of course there is the ethical impetus. Consumers on the whole want to shop more thoughtfully, both for the sake of planet and for the garment workers whose mistreatment has been under increased scrutiny in recent times.
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